Representasi hegemoni kultural gramsci dalam film tuhan, izinkan aku berdosa (kajian semiotika roland barthes)
Abstract
This study analyzes Kiran’s struggle in exposing the corruption of those around her, using Roland Barthes’ semiotic theory and Antonio Gramsci’s concept of hegemony. Through a qualitative approach, the research reveals how signs and myths created by the ruling elites function to maintain their hegemony in society. Data were obtained through narrative and symbolic analysis of social interactions, campaign media, and Kiran’s acts of resistance. The findings show that people around Kiran employed hegemonic narratives through symbols of power and myths of virtue to manipulate public perception. However, Kiran succeeded in deconstructing these myths, exposing the corruption behind the idealized image constructed by the authorities. The discussion highlights that although hegemony is difficult to resist, Kiran’s critical actions created cracks within such symbolic domination. This study concludes that semiotic and hegemonic analysis can serve as effective tools for understanding the dynamics of power and resistance in the context of local politics.
Downloads
References
Adawiyah, R., Darwina, D., Utami, P., Rahmadhana, S., & Angraini, D. R. (2024). Cultural Hegemony of English Toward Americans as Seen in Wild Child Film by Nick Moore. IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature, 12(1), 144–170.
Dianiya, V. (2020). Representation of social class in film (semiotic analysis of Roland Barthes film parasite). Profetik: Jurnal Komunikasi, 13(2), 212–224.
Hamid, F. T., Sunarto, S., & Rahmiaji, L. R. (2022). Representasi objektifikasi perempuan dalam film selesai (analisis semiotika Roland Barthes). Interaksi Online, 11(1), 1–20.
Jamalulail, J., Sigit, R. R., & Atmaja, J. (2022). Representasi Budaya Bugis Makassar Dalam Film Tarung Sarung (Analisis Semiotika Roland Barthes). Jurnal Media Penyiaran, 2(2), 136–147.
Kasimbara, D. C., & Wahyuningsih, W. (2024). HEGEMONI KOMUNISME DALAM NOVEL KUBAH KARYA AHMAD TOHARI. Widyabastra: Jurnal Ilmiah Pembelajaran Bahasa Dan Sastra Indonesia, 11(2), 50–56.
Merriam, M., & Saksono, L. (2022). HEGEMONI BUDAYA PADA TEKS NASKAH DRAMA DANTONS TOD KARYA GEORG BÜCHNER. IDENTITAET, 11(1), 15–22.
Nurfiana, E. (n.d.). Hegemoni Kekuasaan Melalui Motif Agama dan Sikap Nasionalisme: Analisis Semiotika Roland Barthes Terhadap Film Sang Kyai. Jurnal Dakwah: Media Komunikasi Dan Dakwah, 22(1), 78–104.
Oktarini, W. (2023). Hegemony in the Madurese Short Movie (Critical Discourse Analysis on Political Language in Indonesia). KEMBARA: Jurnal Keilmuan Bahasa, Sastra, Dan Pengajarannya, 9(2), 562–580.
Qibtiyah, M., & Aminuddin, A. (2024). REPRESENTASI FEMINISME BUDAYA PATRIARKI DALAM FILM GADIS KRETEK (TEORI SEMIOTIKA ROLAND BARTHES). Triwikrama: Jurnal Ilmu Sosial, 4(9), 111–120.
Rasendra, K., Soraya, I., & Muntazah, A. (2023). Pesan Moral dalam Film Ada Mertua di Rumahku di KlikFilm (Analisis Semiotika Roland Barthes). Jurnal Ilmu Komunikasi Dan Media Sosial (JKOMDIS), 3(3), 645–656.
Saputra, K. A. K., Jayawarsa, A. K., & Priliandani, N. I. (2022). Antonio gramsci hegemonical theory critical study: Accounting Fraud of Hindu-Bali. International Journal of Business, 27(2), 1–11.
Suri, I. (2020). Menyelisik Hegemoni Budaya Barat dalam Novel Noruwei no Mori Karya Haruki Murakami. Jurnal Ayumi, 7(1), 1–15.
Wati, M. L. K., Rohman, F., & Yuniawan, T. (2023). Jurnal Onoma: Pendidikan, Bahasa, Dan Sastra, 9(2), 1306–1315.
Copyright (c) 2025 Sulis Jumardan
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work’s authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal’s published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
